REBA'S WASHINGTON POST FEATURE

Her dressing room has rooms. Wings, even. It’s not so much a changing area as a backstage chateau. This is Reba McEntire’s sanctuary when she plays Caesars Palace in the town’s longest-running country music show. She’s the reigning Okie on the Strip.

“You don’t have to be the best,” she says. She swings her cowboy boots over an armchair; they’re from the REBA by Justin line, naturally. “You have to have that special something that connects with the audience.”

It took McEntire seven hard years of honky-tonks and dance halls to break through. So even as she emerged as one of country’s top-selling and most influential female artists, McEntire resolved not to remain dependent on the mood swings of Nashville’s Music Row. Instead, she seized opportunity everywhere: movies, Broadway, a television series (twoactually), Carnegie Hall, a clothing line, a gig as the first female Colonel Sanders. She Reba-fied our world.

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